Welcome!

Welcome to Saskatchewan’s first reading and sing through of Sienna Holden's new musical! Thank you so much for joining in the creation process and helping us bring this new show to life.


Cast and Creative Team

Sienna Holden - playwright, lyricist, composer
Yvette Nolan* - director & dramaturg
Luke Ertman - musical director, music producer & arranger

Amanda Trapp* - Sarah
Alyssa Billingsley* - Molly
Liz Whitbread - Deborah / TV Host
Tim Bratton* - Todd / Allan
Kevin Moxley - Sean / Emcee / Dealer
Kenni Chomyn - understudy / stage directions
Sofia Mycyk - accompanist

Nathan Coppens - rehearsal accompanist
Stephen Waldschmidt - stage manager

*The participation of these Artists is arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance Opera Theatre Policy (DOT).


Audience Advisory / Content Warning:

Breathe contains mature themes, including coarse language, talk and depiction of substance abuse and self-harm. Recommended for ages 14+.

Acknowledging These Lands

The beautiful land on which we’re performing is Treaty Six territory, the traditional meeting ground and homeland of many First Nations, including the Cree, Saulteaux, Dene, Nakoda, Lakota, and Dakota First Nations, as well as the Homeland of the Métis. This musical was also created on Treaty Seven territory, the traditional meeting ground and homeland of the Blackfoot Confederacy, Tsuut’ina First Nation, and the Stoney Nakoda, as well as the Homeland of the Métis. There are many other First Nations, Métis and Inuit peoples that call these lands home today. We are all Treaty People. Our company works to honour the Indigenous spirit of the treaties, where treaty creates ties of kinship, of belonging together on the land, with commitments of reciprocity and mutual cooperation. So we collaborate respectfully with descendants of the original caretakers of these lands and participate in positive systemic change. We’re grateful for the opportunity to create and perform here, understanding that these places have a rich, living history of Indigenous arts and culture. We’d like to encourage all of us to continue our learning journeys towards truth, reconciliation, and growing as peacemakers in our neighbourhoods and our nations.


Burnt Thicket sends special thanks to:

Our sponsors: SK Arts and Dakota Dunes Community Development Corporation for supporting this musical’s creation process; along with Shercom Industries, Canada Council for the Arts, Creative Saskatchewan, Stobbe Photo, Riversdale Neighbours Church, Executive Arrangements, and College Park Covenant Church. 

Thanks also to all those who supported this workshop in some way: Jessica & Matt Isaak, Arnolda Dufour Bowes, Rod Schellenberg, and the rest of the BTT board (Grant Schroeder, Adam Bourassa, Brendan Andrews); Janalee & Scott Cowan; Rowan Pantel, Kenn McLeod & On the Boards Staging Company; Alixandra Cowman; Deb Buck; Bonnie Nicholson; Kristel Harder, Ricardo Alvarado; Jared Siebert; Erica McFadden; Carol Tebay; Tracey Howell; and BTT’s many generous donors, without whom we could not create theatre that matters.


History of Breathe

Sienna Holden performed an early draft of Breathe at ADFA’s One-Act Festival and was awarded Outstanding Actress of the festival for her portrayal of Sarah. Sage Theatre then selected it for a workshop production in their IGNITE! Festival of Emerging Artists, with writing mentorship from dramaturg Shari Wattling. Holden was later selected for Alberta Playwright’s Network’s Emerging Artist's Mentorship Program, in which she expanded Breathe to two acts with dramaturg Gordon Pengilly. In 2020, BTT began supporting the musical’s development, bringing Yvette Nolan to the project as dramaturg, who also directed this workshop. Last fall, Calgary’s Common Ground Festival selected Breathe for a staged reading which included new songs composed by Holden. This workshop marks the musical’s first public reading in Saskatchewan, and the first with Holden’s fully rendered script and a full score of Holden's songs newly arranged by Luke Ertman, Breathe’s musical director and music producer. 


Artistic Director's Notes

It’s a joy to have Sienna Holden and Luke Ertman working with BTT again. Sienna performed key roles in our world premiere of She Has a Name in 2010 and the 2012 national tour, for which Luke created original music and the sound design. I’m so grateful Sienna invited our company to come alongside the creation of Breathe, and that these Albertan friends are here collaborating with our local theatre community.


There is a song I love by Sleeping At Last that declares, “We are made of love, and all the beauty stemming from it ...

Click here to read more

We are made of love, and every fracture caused by the lack of it.” The relationship between a parent and child has the potential to be one of the most significant experiences of self-giving love. It can launch the child into the world with a deeply secure sense of self. 

That relationship can also be a place of deep wounding. The challenge of parenting is huge in the best of circumstances. Addiction makes it exponentially harder, for so many reasons.

Substance abuse has affected my family of origin and my extended family. I don’t need to repeat disturbing statistics about narcotics addiction–opioid overdoses are in the news nearly every day. It’s high time addiction is treated as a disease, not a crime, and collectively we do everything we can to support trauma-informed care, to reduce harm, and to increase access to recovery and healing.  

Thankfully relationships are not static, they can change and grow—hopefully towards more health. Recent neuroscience has shown that the effects of even the darkest traumatic experiences can be healed and open the possibility of restored relationship. Henri Nowen once said, “The greatest gift you can give your children is the gift of being a growing person yourself.” This extends far beyond parenting to any relationship with close friends and loved ones—may we all be persons who are on learning journeys growing toward more health and whole relationships.


Artist Bios

Alyssa Billingsley*

molly (sarah's Daughter)

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Alyssa Billingsley is a prairie-borne music & theatre artist who has lived in and toured to many communities across Canada as a singer, actor, dancer, puppeteer, clown, co-creator, and actor-musician. Alyssa was most recently seen in Persephone Theatre's The Little Mermaid, and was nominated for performances as Rosencrantz in Rosencrantz and Guildenstern are Dead (Persephone) and Annie/Shelley in Evil Dead: The Musical (Hit & Myth/Ground Zero). Other credits include: Bros / Les Gars (Troupe duJour), Les Corneilles (Gwaandak Theatre), Pandemics and Pratfalls (Dancing Sky) Elf, It's A Wonderful Life, Little Women, The Irresistible Rise of Arturo Ui (Persephone), Die Fledermaus (Saskatoon Opera), Hair (Mayfield), Chickens (Station Arts), Songs of A Prairie Girl (Wild Side Productions/National Arts Centre), The Backyardigans Deep Sea In Adventure Tour (KOBA Entertainment),  Carrie: The Musical (50% Fruit), and Batboy (StraightEdge Theatre). Upcoming: Winnipeg and Edmonton Fringe tours of Identity Crisis, Alyssa's indie solo piece produced under 'prizm productions.' Alyssa has been privileged to clown around various parts of the globe, and is very grateful to be working here on Treaty 6. 

 

Tim Bratton*

Todd / Allan

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Tim is a Saskatoon-based actor, playwright, and sound designer who serves as the Artistic Associate for Burnt Thicket Theatre. You may also have seen Tim on the Saskatoon stages in productions such as THE ART OF FRENCH COOKING (25th Street Theatre)  MISS BENNETT: CHRISTMAS AT PEMBERLEY, ROSENCRANTZ AND GUILDENSTERN ARE DEAD, BOEING BOEING, PRIDE AND PREJUDICE and ‘ART’ (Persephone), THE CURST, and THE FOURTH WISEMAN (Dancing Sky Theatre); LONG DAYS JOURNEY INTO NIGHT (Theatre Naught); CYMBELINE (Shakespeare on the Saskatchewan); EVERGREEN (Burnt Thicket), and in his one-person show MY LITTLE PLASTIC JESUS (Burnt Thicket). Tim lives in Saskatoon with his lovely wife, Amy, and their two very active kids.

Luke Ertman

musical director / music producer & arranger

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Luke has been musical directing, arranging and composing for theatre and film for just shy of twenty years now. He has two musicals under his belt and several others that he has helped to develop -including this one! He has scored over 50 theatre productions across western Canada for theatres such as Rosebud Theatre, Pacific Theatre, The Arts Club, Midnight Theatre Collective, Burnt Thicket Theatre, The Canadian Badlands Passion Play, Prime Stock Theatre, Chemainus Theatre, Gateway Theatre, and The Shakespeare Company. He has won one Jesse Richardson Theatre award, been nominated for two more, as well as an AMPIA. Luke lives on a small acreage near Millet, Alberta with his wife, two kids, two dogs, three cats, a fluctuating amount of chickens...and one recording studio. luke would like to thank everyone who has helped music become his life's work.

Kenni Chomyn

understudy / Stage Directions

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Kenni Chomyn (she/her) hails from Dalmeny, SK and grew up training in dance and theatre with Sask Express - Saskatoon before she moved to study at Randolph College for the Performing Arts in Toronto, followed by obtaining her Masters of Fine Arts in Musical Theatre at Guildford School of Acting in England. She has taught dance classes from Saskatoon all the way to Shanghai, China. This past year, you could find Kenni dancing with the Rider Cheer Team and Rush Electric Crew. Kenni is so thrilled to be back home in Saskatoon and would like to thank her family and friends for their continued support, near and far. Past credits: Atina/Ariel u/s in The Little Mermaid (Persephone Theatre), Girl 3 in Typecastress (Little Libertine Playhouse Inc.), Devyn in Home: The Musical (Lane Productions), Kathy/Dancer in 9 to 5 (Saskatoon Summer Players), Vivika Orsonwelles in A Killer Party (Sparrow Theatre), Sleeping Beauty (Camberley Theatre), Nuna in The Country of the Blind (World Premiere Cast) (Guildford School of Acting).

Nathan Coppens

rehearsal accompanist

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Nathan Coppens (he/him) is a Mad/Crip actor/musician/playwright/puppeteer/arts educator. In a career spanning nearly twenty years, and five provinces, he has worked with Listen To Dis’, Wide Open Theatre, Dancing Sky Theatre, Globe Theatre, Souris Valley Theatre, the Saskatchewan Playwrights Centre, Dumbax Productions, Persephone Theatre, Live Five, and many others. He feels at peace being in the room with the folx in this project. Nathan is the founder of In The Headlights, and the playwright/songwriter/co-star of I Have No Idea, a play that uses comedy and music to explore ADHD in adults. It recently had a run with Live Five and, due to demand, will be back at the Refinery in September prior to going on tour. Tickets on sale soon through On The Boards. To get all the updates, follow along on Instagram @intheheadlightsyxe and Facebook @ In The Headlights YXE.

Sienna Holden

playwright / lyricist / composer

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Sienna Holden (she/her) is thrilled to be working with Burnt Thicket Theatre on developing her new musical "Breathe". Originally an actor with credits including: She Has a Name, The Secret Garden, Brilliant Traces, and Songs for a New World, she is excited to be on the writing side! She is so grateful to each and every person who has come out to experience "Breathe" in its current form and invites everyone to participate in feedback after the reading!

Kevin Moxley

Sean / emcee / dealer

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Kevin Moxley (he/him) is an actor, educator, and writer, originally from the southern Appalachia region of the United States. He completed his undergraduate studies at New York University, and his MFA in theatre performance at Florida Atlantic University. Kevin recently performed locally in Miss Bennet: Christmas at Pemberley at Persephone Theatre. Other past stage highlights include Shakespeare In Love (Austin Playhouse), The Wizard of Oz (Zilker Theatre Productions), Cabaret, Spamalot (Asheville Theatre), Die Fledermaus (Asheville Lyric Opera), Sister Act, Urinetown (Festival Repertory), and The Jungle Book (Missoula Children’s Theatre). Kevin is grateful to be living and working on Treaty 6 Territory, and making a home in Saskatoon.

Sofia mycyk

accompanist

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Dr. Sofia Mycyk has performed as soloist with orchestras in Canada, the United States and most recently with the Stratford Symphony Orchestra. She has been featured at the Landowska Harpsichord Society in Chicago, Thursday Musical recital series in Minneapolis, the Lyell Gustin Recital Series, and the Ritornello Chamber Music Festival. Performance highlights include the Lakes Area Music Festival, PianoFest in the Hamptons, as well as a performance of Colin McPhee’s Piano Concerto in Ted Mann Concert Hall, as winner of the University of Minnesota concerto competition. Her first album, titled Hutsulian Watercolours, features solo piano music by Ukrainian composers. Recently Sofia was featured in a three-part Performance Series at the Remai Modern. Last summer Sofia performed with soprano Emma Johnson for the Saskatoon Proms series, presented by the Saskatoon Opera. In a live-streamed recital “Ukrainian Art Song on a Starlit Night”, she performed with soprano Katya Khartova, also presented by the Saskatoon Opera. Last year Sofia joined local musicians to perform new works in the Strata Festival of New Music. In further collaboration with local arts organizations, Sofia taught a series of online lectures titled ‘On Bach’s Time - His Life in Music’ presented by the Saskatoon Symphony Orchestra. Dr. Mycyk earned her degree of Doctor of Musical Arts in Piano Performance from the University of Minnesota where she held a Teaching Assistantship in Collaborative Piano. Last year she served as a Sessional Lecturer in the Department of Music at the University of Saskatchewan. Sofia resides in Saskatoon; teaching, performing and collaborating.

Yvette Nolan*

director / dramaturg

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Yvette Nolan (Algonquin) is a playwright, director and dramaturg who works across Turtle Island. Her works include the play The Unplugging, the dance-opera Bearing, the libretto Shawnadithit, the short play-for-film Katharsis, the VR pieceReconciling for Boca del Lupo. She co-created, with Joel Bernbaum and Lancelot Knight, the verbatim play Reasonable Doubt, about relations between Indigenous and non-Indigenous communities in Saskatchewan. In the past year, she directed The First Stone at New Harlem and GCTC in Toronto and Ottawa, Women of the Fur Trade at Stratford Festival, and The Flood at Imago and Mizushōbai at Tableau d’Hote, both in Montreal. In the fall, her new play Jordan will premiere at Geordie Theatre in Montreal. From 2003-2011, she served as Artistic Director of Native Earth Performing Arts, Canada’s oldest professional Indigenous theatre company. Her book, Medicine Shows, about Indigenous performance in Canada was published by Playwrights Canada Press in 2015. 

Amanda Trapp*

Sarah

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Amanda Trapp (she/they) is a Cree and Saulteaux (member of White Bear First Nations)/settler actor
& composer based in Saskatoon, SK. Select acting credits: The Invisible: Agents of Ungentlemanly
Warfare (Catalyst Theatre); Disney’s The Little Mermaid, Miss Bennet: Christmas at Pemberley, The Herd, It’s A Wonderful Life: A Live Radio Play, I Lost My Husband (Persephone Theatre); Art of War (Hardly Art Theatre); Half-Breed Vaudeville, (Sorry/Grateful Theatre). Amanda has a Bachelor in Music Theatre Performance from Sheridan College, studied puppetry at the Banff Centre, and also studied acting in NYC with the Atlantic Theater Company. “Thanks to Sienna, Luke, Yvette and everyone at Burnt Thicket for trusting me with Breathe. This story is near and dear to so many of us - I’m excited to have been a part of its journey.” 

Stephen Waldschmidt

stage Manager

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Stephen is grateful to work as a theatre artist and A.D. of Burnt Thicket Theatre. Directing credits include BTT’s Every Brilliant Thing, Evergreen, We Are the Body, and the national tour of She Has a Name. Acting credits include The Resistable Rise of Arturo Ui (Persephone), Road to Mecca, Tent Meeting, Queen Milli Of Galt (Rosebud Theatre), Chickens, The Clearing (Pacific Theatre), and the role of Jesus in The Canadian Badlands Passion Play. He recently wrote Land, an audio play for BTT’s fiction podcast We Treaty People. Stephen has a masters in fine arts and theology from Regent College and a BFA in drama from U. of Calgary. He is most proud of his daughter and two sons, and sends loud thanks to Kirsten, his spouse and best friend.

Liz Whitbread

Deborah / tv host

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Liz Whitbread (she/her) is a queer singer, actor, coach and dramaturge born and raised on Treaty One Territory in Winnipeg, Manitoba. A graduate of the University of Winnipeg Honours: Acting Program, her work has taken her across the Prairies, to Toronto and back again. Her ultimate goal is to craft a creative career that aligns with her personal values of intersectionality, accessibility, joyful engagement, and empowerment. Some recent acting credits include: The Little Mermaid (Persephone Theatre); Miss Bennett: Christmas at Pemberley (Persephone Theatre); A Bronte Without Genius (Planter Box/Live Five); Alice in Wonderland (Bad Hats/MTYP). You can learn more about her work at lizwhitbread.com. Grateful to Sienna for trusting us all to help bring this story to an audience!


Burnt Thicket Theatre tells stories that kindle hopeful change in people's lives. We create theatre events that give audiences a visceral immersion in another human being’s lived experience, believing that “walking in someone else’s shoes” is part of theatre’s power. We believe in empowering artists to make new work; most of our productions are the fruit of script development processes, like Breathe.

Click here to read more about BTT

Created in 2007 in Calgary, we moved to Saskatoon in 2017 and have performed in 44 cities across Canada. Our 2012 She Has a Name national tour impacted audiences from Halifax to Victoria with the struggle against human trafficking. Our productions of Every Brilliant Thing have inspired honest conversation about mental health across western Canada from 2018-2023. In 2021-2022 we produced two fiction podcast series of world premiere plays for the ear. The latest is We Treaty People, in which 49 Indigenous and non-Indigenous artists collaborated on 18 episodes exploring truth and reconciliation, now playing on our website and podcast platforms. We recently presented the SK premiere of New Blood, which blends the music of Peter Gabriel and Blackfoot tradition to tell Chief Vincent Yellow Old Woman’s healing journey, in partnership with Persephone Theatre and Gordon Tootoosis Nikaniwin Theatre. This season we toured Tim Bratton’s My Little Plastic Jesus to living rooms across Ontario and western Canada.


We believe sharing stories that bring awareness and plant seeds for positive social change matters greatly. It only happens through the collaborative faith and effort of a host of artists, donors and supporters, far beyond the artists and staff listed here.

BTT Staff

Brooklynn Bitner
Marketing Associate

Tim Bratton

Artistic Associate

Ed Mendez 

General Manager 

Stephen Waldschmidt

Artistic Director


Coming Feb. 27 - March 9, 2025

Right here in The Refinery, presented by Live Five Theatre. Get your tickets tonight for The Unplugging - buy your Live Five season pass downstairs at the box office or go to livefive.ca or burntthicket.com for details.

When all the world’s technology ceases to function, it is time to find a new way of living—or an old way. Two women—exiled for being too old to bear children, trudge across the desolate winter prairie, clinging to traditional wisdom for survival. A charismatic stranger appears, seeking their aid, but will they share their knowledge of the past and provide hope for the future to the community that branded them “useless”?

Saskatchewan Premiere produced by Burnt Thicket Theatre
Presented by Live Five Theatre 
February 27 - March 9, 2025
at The Refinery in Saskatoon

Pay-what-you-can Preview February 27
Thursdays through Saturdays @ 7:30pm & Sundays @ 2pm



Addiction and Mental Health Resources

Call 811- confidential, 24-hour health and mental health and addictions advice, education and support in SK

Mental Health & Addiction Services Saskatoon - call 306-655-7777

sk.211.ca - free, confidential, 24/7 service that connects individuals to human services across SK, including 12 Step addiction recovery meetings and programs 

Saskatoon Mobile Crisis - saskatooncrisis.ca or call 306-933-6200

Prairie Harm Reduction - prairiehr.ca 

Suicide Crisis Helpline: call or text 9-8-8 from anywhere in Canada, or go to 988.ca


Help us create more theatre that kindles hopeful change!

We do our best to keep ticket prices affordable for everyone, but it means ticket revenues only cover half our expenses. We’re able to tell stories that matter through generous support from private donors like you. Consider playing-it-forward and donating today to ensure someone else gets to experience stories like this.

Or send an e-transfer to donate@burntthicket.com, or a cheque payable to Burnt Thicket Theatre, 50 Neilson Crescent, Saskatoon, SK, S7H 3N5. Thank you for your consideration. Our CRA Charitable Registration number is 820034635RR0001.

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